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V | |
---|---|
Directed by | Mohana Krishna Indraganti |
Produced by | Dil Raju Sirish Lakshman Harshith Reddy |
Written by | Mohan Krishna Indraganti |
Starring | |
Music by | Score S. Thaman[1] Songs Amit Trivedi |
Cinematography | P. G. Vinda |
Edited by | Marthand K. Venkatesh |
Distributed by | Amazon Prime Video |
| |
140 minutes | |
Country | India |
Language | Telugu |
Budget | ₹25 crore[2] |
V is a 2020 Indian Telugu-language action thriller film[3][4] written and directed by Mohana Krishna Indraganti, produced by Dil Raju under the banner of Sri Venkateswara Creations. The film stars Nani, Sudheer Babu, Nivetha Thomas and Aditi Rao Hydari along with Vennela Kishore and Tanikella Bharani in supporting roles. The film's score is composed by S. Thaman, with the soundtrack album being composed by Amit Trivedi, while cinematography is handled by P. G. Vinda and editing done by Marthand K. Venkatesh. It is Nani's 25th film as a lead actor, in which he plays an antagonist for the first time.[5][6][7] The film was released on Amazon Prime Video on 5 September 2020.[8] The film is scheduled for a theatrical re-release on 1 January 2021.[9]
Plot[edit]
DCP Aditya, a celebrated cop, handles a communal riot in Hyderabad. He is awarded a gallantry medal a year later, for solving various cases. The following night, Prasad, an Inspector, is grotesquely murdered by an unnamed killer who leaves a note challenging Aditya to catch him. Aditya suspects Apoorva, an aspiring crime novelist who he met the previous night, to have some link with the killer as she was in contact with Prasad. However, Apoorva only met Prasad for her research, during which she overhears Prasad telling a realtor named Mallik that their lives are under threat. Meanwhile, the killer calls Aditya, challenging him to prevent four more murders, failing which he shall give up his medals and resign. Aditya accepts the challenge.
On deducing that the killer's name starts with 'V', Aditya arrests a person Vicky, based on the history between him and Prasad. Vicky tells Aditya about a man who enquired about Prasad and Mallik. On knowing Mallik could be the next target, Aditya rushes to save him, only to see that he is already killed. Killer this time leaves a clue hinting next location of the target. Aditya and Apoorva crack the clue and Aditya heads to Mumbai. There, the killer escapes narrowly, upon killing his target. He later sends Aditya an image of Aditya's school days, which makes Aditya suspect Vishnu, his fellow schoolmate, and a popular student-athlete. He learns from his school in Vizag that Vishnu is an ex-Army soldier with an impeccable record of eliminating terrorists. Aditya visits a colleague of Vishnu who tells their past.
Vishnu loved and married Saheba, who he met when he was off-duty. However, when Saheba is pregnant, Vishnu unable to get leave to visit her was forced to attend his duty in Kashmir. When Vishnu and his colleague are off to a mission, the bus they travel is bombed, falling into an adjacent river. Vishnu is last seen being washed away. Saheba too is killed in the communal riots which Aditya handled but there is no record of Saheba's death.
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Confused Aditya upon investigation, learns that Saheba was last seen going to a jewelry shop to buy a gift for Vishnu who was supposed to return soon. Aditya tries to retrieve the shop's CCTV footage, but it's missing. Aditya suspects the manager and asks his team to follow him. And they trace out a lady who reveals them the conspiracy behind the riot. The lady ran a Girls hostel but she would pimp the girls, often by force. One night, a girl films her friend being raped and takes the video to a local don whom she believes would help him. But that don finds an opportunity to blackmail the Home Minister, whose son was among the rapists. The riots were conspired by the minister to kill the don and retrieve the video.
Aditya, who learns that people who are involved in the conspiracy are being killed, fails to protect the fourth target as well. The final target of the killer, the home minister's son, Ranjith is in Thailand. Aditya travels to Thailand to save Ranjith, but Ranjith is beheaded by Vishnu who leaves a note reading he shall meet soon. Later, Aditya resigns from his job accepting his defeat. The police save their face by blaming and killing an innocent pickpocketer named Vamsi and the case is closed.
Days later, Vishnu and Aditya meet where Aditya reveals that he indeed helped Vishnu by killing the guards of Ranjith, thus isolating him to be killed by Vishnu. He does so because his team is infiltrated on instruction to kill both Vishnu and Aditya. Vishnu tells Aditya that Saheba on the day of riots tried to save the girl with the video, only to be murdered by the goons. Vishnu, who was luckily saved after the accident, receives the video recorded and e-mailed by Saheba minutes before she was killed. He then decides to avenge her death. Vishnu initially believed that Aditya was also part of the conspiracy. But upon being impressed by his integrity, Vishnu hands over the video to Aditya, to expose the criminals. Aditya later releases it to the press and regains his reputation.
Days later, Apoorva writes a novel about the events, titled Saheba. Vishnu who receives a copy sees that it has been dedicated to 'V'.
Cast[edit]
- Nani as Yendluri Vishnu
- Sudheer Babu as DCP N. Aditya
- Nivetha Thomas as Apoorva Ramanujan
- Aditi Rao Hydari as Saheba
- Vennela Kishore as Mansoor
- Tanikella Bharani as IG Y. V. Narendra
- Naresh as Aditya's father
- Rohini as Sreelata, Apoorva's mother
- Thalaivasal Vijay as Ramanujan, Apoorva's father
- Vinay Varma as Sadik Hassan
- Harish Uthaman as Ranjith
- Adarsh Balakrishna as Sharath
- Ravi Varma as K.K.
- Madhusudhan Rao as Mallikarjun
- Raja Chembolu as Rathnakumar
- Srikanth Iyengar as Rashid
- Jayaprakash as DGP T. Jayaraj
- Ananda Chakrapani as Home Minister
- Rajitha as Ramani
- Getup Srinu
- Vaibhavi Joshi as an item number in Ranga Rangeli
Production[edit]
Development[edit]
The film was announced in April 2019 with Indraganti as director and Nani playing the lead which also marked his 25th film.[10][11]
Vbs Move Mouse
Filming[edit]
The principal photography on the film started in May 2019 without Nani on set. The second schedule started in June 2019 with Sudheer Babu and other artistes.[12][13] Nani started shooting for the film on 11 August 2019.[14] In September 2019, filming location changed to Thailand where major scenes were shot with Sudheer Babu and Nani.[15]
Soundtrack[edit]
V | |||
---|---|---|---|
Soundtrack album by | |||
Released | 29 August 2020 | ||
Recorded | 2019–2020 | ||
Studio | A T Studios, Mumbai | ||
Genre | Feature film soundtrack | ||
Length | 15:01 | ||
Label | Aditya Music | ||
Producer | Amit Trivedi | ||
Amit Trivedi chronology | |||
| |||
| |||
Singles from V | |||
|
The film score is composed by S. Thaman. The soundtrack album is composed by Amit Trivedi, in his third Telugu film after Sye Raa Narasimha Reddy (2019) and That is Mahalakshmi (2020), whereas the lyrics were written by Sirivennela Seetharama Sastry, Ramajogayya Sastry and Krishna Kanth. On 24 February 2020, coinciding with actor Nani's birthday, the first single 'Manasu Maree' was released by Aditya Music.[16] The second single 'Vastunnaa Vachestunna' was released on 10 March 2020.[17] The complete soundtrack album was released on 29 August 2020.
No. | Title | Lyrics | Singer(s) | Length |
---|---|---|---|---|
1. | 'Manasu Maree' | Sirivennela Seetharama Sastry | Amit Trivedi, Shashaa Tirupati, Yazin Nizar | 4:28 |
2. | 'Vastunnaa Vachestunna' | Sirivennela Seetharama Sastry | Shreya Ghoshal, Amit Trivedi, Anurag Kulkarni | 3:32 |
3. | 'Ranga Rangeli' | Ramajogayya Sastry | Yazin Nizar, Nikhita Gandhi | 3:31 |
4. | 'Baby Touch Me Now' | Krishna Kanth | Sharvi Yadav | 3:31 |
Total length: | 15:01 |
Release[edit]
The film was initially scheduled to release on 25 March 2020 coinciding with Ugadi,[18] but was postponed due to the COVID-19 pandemic.[19] The film was released through Prime Video on 5 September 2020.[8] The film was dubbed and released in Tamil, Malayalam and Kannada the same day.[20]
Reception[edit]
Sangeetha Devi Dundoo of The Hindu, wrote that the film is 'Undone by predictability.' Though the film has 'interesting face-offs', it 'ends up as old wine in a new bottle,' she opined.[21] Hemanth Kumar of the Firstpost, who rated the film 2.5 out of five, also noted that the screenplay is predictable but praised Nani for his performance.[22]
Haricharan Pudipeddi of The Hindustan Times called the film a 'colossal mess' and added, 'V is a major misfire from Indraganti, whose intent to go big fails gloriously.'[23] Manoj Kumar of The Indian Express granted the film 2.5 stars out of five and wrote, 'Indraganti has gone the extra mile while writing scenes for Vishnu..However, Mohana doesn't show an equal amount of love for other key characters.'[24] Janaki K. of India Today who also rated 2.5 out of five, wrote that 'One of the massive disadvantages of V is that it has a steady graph. There are no ups and downs, or even a high point that gets you all excited.'[25]
References[edit]
- ^'Nani and Sudheer Babu look kick-ass in the intriguing poster of 'V'; teaser on this date'. The Times of India. Retrieved 17 February 2020.
- ^'Nani's V Gets Biggest OTT Deal Of His Career?'. Sakshi Post. 13 August 2020. Retrieved 13 August 2020.
- ^'Sudheer Babu as the sa'V'iour'. The Hindu. Special Correspondent. 27 January 2020. ISSN0971-751X. Retrieved 31 August 2020.CS1 maint: others (link)
- ^'Nani's Telugu action thriller V heads for direct digital release on Amazon Prime Video on 5 September - Entertainment News, Firstpost'. Firstpost. 20 August 2020. Retrieved 31 August 2020.
- ^'Nani's shocking and intense first-look from 'V''. The Times of India. Retrieved 17 February 2020.
- ^''There will be fireworks when I lock horns with Nani in Indraganti's next''. The Times of India. Retrieved 17 February 2020.
- ^'Nani's look in his 25th film 'V' revealed'. The Hindu. Special Correspondent. 28 January 2020. ISSN0971-751X. Retrieved 17 February 2020.CS1 maint: others (link)
- ^ ab'Nani starrer V to release on Amazon Prime Video'. Indian Express. Retrieved 20 August 2020.
- ^'Nani's Telugu action-thriller V set for theatrical release in January, 2021'. Firstpost. 24 December 2020. Retrieved 24 December 2020.
- ^'Title Announcement: Sudheer Babu's V'. Telugu360. 29 April 2019.
- ^'Nani 25: సుధీర్బాబు, నాని సినిమా. 'వి'చిత్రమైన టైటిల్!'. Times of India (Samayam Telugu). 29 April 2019.[dead link]
- ^'V (Nani 25): Nani-Sudheer Babu's film second schedule begins'. The Times of India.
- ^'Sudheer Babu on Twitter'. Twitter. Retrieved 13 May 2019.[non-primary source needed]
- ^''గ్యాంగ్ లీడర్'గా నాని ఖేల్ ఖతం. నెక్ట్స్ ఏంటో తెలుసా.'News18 Telugu. Retrieved 13 May 2019.
- ^'Nani is going to Thailand for the movie 'V''. Friday Clicks. Retrieved 19 September 2019.
- ^Arikatla, Venkat (24 February 2020). ''V' First Single: Sirivennela & Amit Trivedi's Magic'. greatandhra.com. Retrieved 4 September 2020.
- ^'Vastunna Vachestunnaa from V released - Times of India'. The Times of India. Retrieved 4 September 2020.
- ^AuthorTelanganaToday. 'Nani's 'V' to release on March 25'. Telangana Today. Retrieved 17 February 2020.
- ^'COVID-19 hits Telugu cinema; Nani's 'V' postponed'. Telangana Today. 14 March 2020. Retrieved 14 March 2020.
- ^'Nani's action-thriller out in Malayalam, Tamil and Kannada'. Asianet News Network Pvt Ltd.
- ^Dundoo, Sangeetha Devi (5 September 2020). ''V' movie review: Undone by predictability'. The Hindu. ISSN0971-751X. Retrieved 5 September 2020.
- ^'V movie review: Nani, Sudheer Babu's battle of egos inconsistent and predictable - Entertainment News , Firstpost'. Firstpost. 5 September 2020. Retrieved 5 September 2020.
- ^'V movie review: Nani, Indraganti Mohana Krishna reunite for a colossal mess of an action-thriller'. Hindustan Times. 5 September 2020. Retrieved 5 September 2020.
- ^'V review: The popcorn movie we need right now'. The Indian Express. 5 September 2020. Retrieved 5 September 2020.
- ^K., Janani (5 September 2020). 'V Movie Review: Nani is in terrific form in this unimaginative thriller'. India Today. Retrieved 5 September 2020.
External links[edit]
- V on IMDb
8 mm film is a motion picturefilm format in which the film strip is eight millimeters wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced perforations.
There are also two other varieties of Super 8 – Single 8 mm and Straight-8 – that require different cameras, but produce a final film with the same dimensions.
Standard 8[edit]
The standard 8 mm (also known as regular 8) film format was developed by the Eastman Kodak company during the Great Depression and released to the market in 1932 to create a home movie format that was less expensive than 16 mm.
Vbd Movie Theater
Double 8 spools actually contain a 16 mm film with twice as many perforations along each edge as normal 16 mm film; on its first pass through the camera, the film is exposed only along half of its width. When the first pass is complete, the operator opens the camera and flips and swaps the spools (the design of the spool hole ensures that the operator does this properly) and the same film is subsequently exposed along its other edge, the edge left unexposed on the first pass. After the film is developed, the processor splits it down the middle, resulting in two lengths of 8 mm film, each with a single row of perforations along one edge. Each frame is half the width and half the height of a 16 mm frame, so there are four times the number of frames in a given film area, which is what makes it cost less. Because of the two passes of the film, the format was sometimes called Double 8. The frame size of regular 8 mm is 4.8 mm × 3.5 mm and 1 meter of film contains 264 pictures. Normally Double 8 is filmed at 16 or 18 frames per second.
Common length film spools allowed filming of about 3 to 41⁄2 minutes at 12, 15, 16 and 18 frames per second.
Kodak ceased sales of standard 8 mm film under its own brand in the early 1990s, but continued to manufacture the film, which was sold via independent film stores. Black-and-white 8 mm film is still manufactured in the Czech Republic, and several companies buy bulk quantities of 16 mm film to make regular 8 mm by re-perforating the stock, cutting it into 25 foot (7.6 m) lengths, and collecting it into special standard 8 mm spools, which they then sell. Re-perforation requires special equipment. Some specialists also produce Super 8 mm film from existing 16 mm, or even 35 mm film stock.
Sound[edit]
Confused Aditya upon investigation, learns that Saheba was last seen going to a jewelry shop to buy a gift for Vishnu who was supposed to return soon. Aditya tries to retrieve the shop's CCTV footage, but it's missing. Aditya suspects the manager and asks his team to follow him. And they trace out a lady who reveals them the conspiracy behind the riot. The lady ran a Girls hostel but she would pimp the girls, often by force. One night, a girl films her friend being raped and takes the video to a local don whom she believes would help him. But that don finds an opportunity to blackmail the Home Minister, whose son was among the rapists. The riots were conspired by the minister to kill the don and retrieve the video.
Aditya, who learns that people who are involved in the conspiracy are being killed, fails to protect the fourth target as well. The final target of the killer, the home minister's son, Ranjith is in Thailand. Aditya travels to Thailand to save Ranjith, but Ranjith is beheaded by Vishnu who leaves a note reading he shall meet soon. Later, Aditya resigns from his job accepting his defeat. The police save their face by blaming and killing an innocent pickpocketer named Vamsi and the case is closed.
Days later, Vishnu and Aditya meet where Aditya reveals that he indeed helped Vishnu by killing the guards of Ranjith, thus isolating him to be killed by Vishnu. He does so because his team is infiltrated on instruction to kill both Vishnu and Aditya. Vishnu tells Aditya that Saheba on the day of riots tried to save the girl with the video, only to be murdered by the goons. Vishnu, who was luckily saved after the accident, receives the video recorded and e-mailed by Saheba minutes before she was killed. He then decides to avenge her death. Vishnu initially believed that Aditya was also part of the conspiracy. But upon being impressed by his integrity, Vishnu hands over the video to Aditya, to expose the criminals. Aditya later releases it to the press and regains his reputation.
Days later, Apoorva writes a novel about the events, titled Saheba. Vishnu who receives a copy sees that it has been dedicated to 'V'.
Cast[edit]
- Nani as Yendluri Vishnu
- Sudheer Babu as DCP N. Aditya
- Nivetha Thomas as Apoorva Ramanujan
- Aditi Rao Hydari as Saheba
- Vennela Kishore as Mansoor
- Tanikella Bharani as IG Y. V. Narendra
- Naresh as Aditya's father
- Rohini as Sreelata, Apoorva's mother
- Thalaivasal Vijay as Ramanujan, Apoorva's father
- Vinay Varma as Sadik Hassan
- Harish Uthaman as Ranjith
- Adarsh Balakrishna as Sharath
- Ravi Varma as K.K.
- Madhusudhan Rao as Mallikarjun
- Raja Chembolu as Rathnakumar
- Srikanth Iyengar as Rashid
- Jayaprakash as DGP T. Jayaraj
- Ananda Chakrapani as Home Minister
- Rajitha as Ramani
- Getup Srinu
- Vaibhavi Joshi as an item number in Ranga Rangeli
Production[edit]
Development[edit]
The film was announced in April 2019 with Indraganti as director and Nani playing the lead which also marked his 25th film.[10][11]
Vbs Move Mouse
Filming[edit]
The principal photography on the film started in May 2019 without Nani on set. The second schedule started in June 2019 with Sudheer Babu and other artistes.[12][13] Nani started shooting for the film on 11 August 2019.[14] In September 2019, filming location changed to Thailand where major scenes were shot with Sudheer Babu and Nani.[15]
Soundtrack[edit]
V | |||
---|---|---|---|
Soundtrack album by | |||
Released | 29 August 2020 | ||
Recorded | 2019–2020 | ||
Studio | A T Studios, Mumbai | ||
Genre | Feature film soundtrack | ||
Length | 15:01 | ||
Label | Aditya Music | ||
Producer | Amit Trivedi | ||
Amit Trivedi chronology | |||
| |||
| |||
Singles from V | |||
|
The film score is composed by S. Thaman. The soundtrack album is composed by Amit Trivedi, in his third Telugu film after Sye Raa Narasimha Reddy (2019) and That is Mahalakshmi (2020), whereas the lyrics were written by Sirivennela Seetharama Sastry, Ramajogayya Sastry and Krishna Kanth. On 24 February 2020, coinciding with actor Nani's birthday, the first single 'Manasu Maree' was released by Aditya Music.[16] The second single 'Vastunnaa Vachestunna' was released on 10 March 2020.[17] The complete soundtrack album was released on 29 August 2020.
No. | Title | Lyrics | Singer(s) | Length |
---|---|---|---|---|
1. | 'Manasu Maree' | Sirivennela Seetharama Sastry | Amit Trivedi, Shashaa Tirupati, Yazin Nizar | 4:28 |
2. | 'Vastunnaa Vachestunna' | Sirivennela Seetharama Sastry | Shreya Ghoshal, Amit Trivedi, Anurag Kulkarni | 3:32 |
3. | 'Ranga Rangeli' | Ramajogayya Sastry | Yazin Nizar, Nikhita Gandhi | 3:31 |
4. | 'Baby Touch Me Now' | Krishna Kanth | Sharvi Yadav | 3:31 |
Total length: | 15:01 |
Release[edit]
The film was initially scheduled to release on 25 March 2020 coinciding with Ugadi,[18] but was postponed due to the COVID-19 pandemic.[19] The film was released through Prime Video on 5 September 2020.[8] The film was dubbed and released in Tamil, Malayalam and Kannada the same day.[20]
Reception[edit]
Sangeetha Devi Dundoo of The Hindu, wrote that the film is 'Undone by predictability.' Though the film has 'interesting face-offs', it 'ends up as old wine in a new bottle,' she opined.[21] Hemanth Kumar of the Firstpost, who rated the film 2.5 out of five, also noted that the screenplay is predictable but praised Nani for his performance.[22]
Haricharan Pudipeddi of The Hindustan Times called the film a 'colossal mess' and added, 'V is a major misfire from Indraganti, whose intent to go big fails gloriously.'[23] Manoj Kumar of The Indian Express granted the film 2.5 stars out of five and wrote, 'Indraganti has gone the extra mile while writing scenes for Vishnu..However, Mohana doesn't show an equal amount of love for other key characters.'[24] Janaki K. of India Today who also rated 2.5 out of five, wrote that 'One of the massive disadvantages of V is that it has a steady graph. There are no ups and downs, or even a high point that gets you all excited.'[25]
References[edit]
- ^'Nani and Sudheer Babu look kick-ass in the intriguing poster of 'V'; teaser on this date'. The Times of India. Retrieved 17 February 2020.
- ^'Nani's V Gets Biggest OTT Deal Of His Career?'. Sakshi Post. 13 August 2020. Retrieved 13 August 2020.
- ^'Sudheer Babu as the sa'V'iour'. The Hindu. Special Correspondent. 27 January 2020. ISSN0971-751X. Retrieved 31 August 2020.CS1 maint: others (link)
- ^'Nani's Telugu action thriller V heads for direct digital release on Amazon Prime Video on 5 September - Entertainment News, Firstpost'. Firstpost. 20 August 2020. Retrieved 31 August 2020.
- ^'Nani's shocking and intense first-look from 'V''. The Times of India. Retrieved 17 February 2020.
- ^''There will be fireworks when I lock horns with Nani in Indraganti's next''. The Times of India. Retrieved 17 February 2020.
- ^'Nani's look in his 25th film 'V' revealed'. The Hindu. Special Correspondent. 28 January 2020. ISSN0971-751X. Retrieved 17 February 2020.CS1 maint: others (link)
- ^ ab'Nani starrer V to release on Amazon Prime Video'. Indian Express. Retrieved 20 August 2020.
- ^'Nani's Telugu action-thriller V set for theatrical release in January, 2021'. Firstpost. 24 December 2020. Retrieved 24 December 2020.
- ^'Title Announcement: Sudheer Babu's V'. Telugu360. 29 April 2019.
- ^'Nani 25: సుధీర్బాబు, నాని సినిమా. 'వి'చిత్రమైన టైటిల్!'. Times of India (Samayam Telugu). 29 April 2019.[dead link]
- ^'V (Nani 25): Nani-Sudheer Babu's film second schedule begins'. The Times of India.
- ^'Sudheer Babu on Twitter'. Twitter. Retrieved 13 May 2019.[non-primary source needed]
- ^''గ్యాంగ్ లీడర్'గా నాని ఖేల్ ఖతం. నెక్ట్స్ ఏంటో తెలుసా.'News18 Telugu. Retrieved 13 May 2019.
- ^'Nani is going to Thailand for the movie 'V''. Friday Clicks. Retrieved 19 September 2019.
- ^Arikatla, Venkat (24 February 2020). ''V' First Single: Sirivennela & Amit Trivedi's Magic'. greatandhra.com. Retrieved 4 September 2020.
- ^'Vastunna Vachestunnaa from V released - Times of India'. The Times of India. Retrieved 4 September 2020.
- ^AuthorTelanganaToday. 'Nani's 'V' to release on March 25'. Telangana Today. Retrieved 17 February 2020.
- ^'COVID-19 hits Telugu cinema; Nani's 'V' postponed'. Telangana Today. 14 March 2020. Retrieved 14 March 2020.
- ^'Nani's action-thriller out in Malayalam, Tamil and Kannada'. Asianet News Network Pvt Ltd.
- ^Dundoo, Sangeetha Devi (5 September 2020). ''V' movie review: Undone by predictability'. The Hindu. ISSN0971-751X. Retrieved 5 September 2020.
- ^'V movie review: Nani, Sudheer Babu's battle of egos inconsistent and predictable - Entertainment News , Firstpost'. Firstpost. 5 September 2020. Retrieved 5 September 2020.
- ^'V movie review: Nani, Indraganti Mohana Krishna reunite for a colossal mess of an action-thriller'. Hindustan Times. 5 September 2020. Retrieved 5 September 2020.
- ^'V review: The popcorn movie we need right now'. The Indian Express. 5 September 2020. Retrieved 5 September 2020.
- ^K., Janani (5 September 2020). 'V Movie Review: Nani is in terrific form in this unimaginative thriller'. India Today. Retrieved 5 September 2020.
External links[edit]
- V on IMDb
8 mm film is a motion picturefilm format in which the film strip is eight millimeters wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced perforations.
There are also two other varieties of Super 8 – Single 8 mm and Straight-8 – that require different cameras, but produce a final film with the same dimensions.
Standard 8[edit]
The standard 8 mm (also known as regular 8) film format was developed by the Eastman Kodak company during the Great Depression and released to the market in 1932 to create a home movie format that was less expensive than 16 mm.
Vbd Movie Theater
Double 8 spools actually contain a 16 mm film with twice as many perforations along each edge as normal 16 mm film; on its first pass through the camera, the film is exposed only along half of its width. When the first pass is complete, the operator opens the camera and flips and swaps the spools (the design of the spool hole ensures that the operator does this properly) and the same film is subsequently exposed along its other edge, the edge left unexposed on the first pass. After the film is developed, the processor splits it down the middle, resulting in two lengths of 8 mm film, each with a single row of perforations along one edge. Each frame is half the width and half the height of a 16 mm frame, so there are four times the number of frames in a given film area, which is what makes it cost less. Because of the two passes of the film, the format was sometimes called Double 8. The frame size of regular 8 mm is 4.8 mm × 3.5 mm and 1 meter of film contains 264 pictures. Normally Double 8 is filmed at 16 or 18 frames per second.
Common length film spools allowed filming of about 3 to 41⁄2 minutes at 12, 15, 16 and 18 frames per second.
Kodak ceased sales of standard 8 mm film under its own brand in the early 1990s, but continued to manufacture the film, which was sold via independent film stores. Black-and-white 8 mm film is still manufactured in the Czech Republic, and several companies buy bulk quantities of 16 mm film to make regular 8 mm by re-perforating the stock, cutting it into 25 foot (7.6 m) lengths, and collecting it into special standard 8 mm spools, which they then sell. Re-perforation requires special equipment. Some specialists also produce Super 8 mm film from existing 16 mm, or even 35 mm film stock.
Sound[edit]
When Eastman Kodak first conceived the 8 mm format, no provision was made for the addition of a sound track. Nevertheless, in the 1960s, projectors appeared on the market that were capable of recording and replaying sound from a magnetic stripe applied to the film after it had been processed. The only part of the film wide enough to accept such a magnetic stripe was the area between the edge and the perforations. A much narrower stripe was sometimes added to the opposite edge so that the film piled up evenly on the spool, but was never used for sound. The sound to picture separation was the same dimensionally as 16 mm film and as that format is 28 frames, that meant that the Double-8 system was 56 frames. The proximity of the sound stripe to the perforations caused some problems in keeping the film in close contact with the sound head. There was never an optical system.
A few sound prints appeared for the use in double 8 projectors.
Super 8[edit]
In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image, and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through. Super 8 was often erroneously criticized, since the film gates in some cheaper Super 8 cameras were plastic, as was the pressure plate built into the cartridge; the standard 8 cameras had a permanent metal film gate that was regarded as more reliable in keeping the film flat and the image in focus. In reality, this was not the case. The plastic pressure plate could be moulded to far tighter tolerances than their metal counterparts could be machined.[citation needed]
To easily differentiate Super 8 film from Standard 8, projector spools for the former had larger spindle holes. Therefore, it was not possible to mount a Super 8 spool on a Standard 8 projector, and vice versa.
Sound[edit]
The Super 8 format was designed from the start to accommodate a sound track (one of the surprisingly few film formats to do so). This track would occupy the area between the edge of the film and the image area. As in the double 8 system, a second stripe was sometimes added between the edge and the perforations. The image to sound distance was much shorter for the Super 8 system at just 18 frames.
At first, the magnetic stripe had to be applied after the film was processed and recorded on a suitable projector. In the 1970s, cameras appeared which were able to record live sound directly onto pre-striped film. This film was loaded into oversize cartridges that provided access for the camera's sound recording head. The camera would also accept non sound cartridges, but silent cameras could not accept sound cartridges. One major advantage of the Super 8 system was that as the camera pressure plate was a part of the cartridge, it could be moulded to the profile of the stripe(s)s on the film.
Projectors also appeared on the market which took advantage of the balance stripe next to the perforations by recording and replaying stereo sound.
Projectors appeared in the late 1970s that featured the ability to play films with an optical soundtrack. The image-sound separation for the optical format was 22 frames. These were never popular in the English speaking world and are consequently very rare in those countries. But they did enjoy some popularity in the Far East and Europe mainly because optical prints were cheaper.
Sound prints in Super 8 were plentiful and considering that they were very expensive by modern-day standards, sold in appreciable quantities. A two-reel print (running approximately 17 minutes) cost around $50, with feature films costing at least $150-plus. A few prints were also released with stereo sound. In Europe, optical prints were also popular and were appreciated for their often superior sound quality. In theory, magnetic prints should have been superior, but Super 8 magnetic prints were often poorly recorded after the picture was processed, due to high-speed, mass production techniques. An optical track, on the other hand, could be printed at the same time as the image and in equivalent quality.
Single 8[edit]
Another version of Super-8 film, Single-8, was produced by Fuji in Japan. Introduced in 1965 as an alternative to the KodakSuper 8 format, it had the same final film dimensions, but with a different cassette. Unlike the co-axial design of Super 8, the Single 8 cartridge featured one spool above the other.
Sound[edit]
Single-8's film format being identical to Super-8 means that everything written above regarding projectors for Super-8 applies equally to Single-8.
Cameras also appeared for the Single-8 system that were capable of directly recording to pre-striped film which was presented in an oversize Single-8 cartridge which provided access for the camera's sound recording head, in a similar manner to Super-8. The only difference was that film manufacturers initially had to manufacture the film with a rebated area for the sound stripe. Auto shoot on phantom forces scriptblasterfasr. This was because the pressure plate ensuring good film registration was part of the camera and not the cartridge. The sound film had to be the same overall thickness as silent film which the camera could also accept. Although the rebated stock was more expensive to manufacture, a balance stripe on the opposite side of the film was rendered unnecessary and offset the cost. Fuji later developed a thinner film that did not require rebating but the balance stripe was required because the thickness of the sound stripe was almost the same as the film base.
Straight Eight[edit]
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A number of camera companies offered single width 8 mm film in magazines or spools, but the format faded when Kodak introduced Kodachrome, as this was only available in the double 8 mm format. The first single run 8mm film was offered in 1935 with a Bell & Howell movie camera Filmo 127-A called Straight Eight. Single width 8 mm film revived in the United States by Bolsey-8 in 1956, and continued for some time outside the United States, with GermanyAgfa Movex 8 [de] between 1937 and 1950's, Soviet UnionKOMZ Ekran movie cameras and Svema offering reversal film in 1960's.[1]
UltraPan 8[edit]
Introduced in 2011 by Nicholas Kovats, and implemented by Jean-Louis Seguin, this format uses Standard 8 film in a modified Bolex (H16 or H8) camera. The area of film exposed per frame is 10.52 mm × 3.75 mm, having an aspect ratio of 2.8:1. There are effectively two UP8 frames for every one 16 mm frame. The design means there is no waste of film emulsion for the targeted aspect ratio. Earlier versions of this general idea date from the 1950s and exactly the same design occurs in implementations of the 1960s and 1970s. The current implementation of the idea gains impetus from the relative ease with which digital delivery systems can handle what would otherwise have required, in the past, either a dedicated mechanical projector or the transfer to another film format for which projectors were already available.
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See also[edit]
References[edit]
- ^Baumgarten, Martin W. '8mm Film Gauges (archived page)'. Lavender.fortunecity.com. Archived from the original on January 23, 2012. Retrieved 2014-03-15.